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We Are Safe In Dubai, World Needs World Peace – Angel Tetarbe International Peace Ambassador...

The UAE has been the target of a series of missiles and  drones trikes, reportedly launched by Iranian Forces following wider regional escalation.

These strikes have effected  Dubai specially around key areas like jabel Ali Port and nearby infrastructure.

The UAE ‘s  Air  Defence systems have Intercepted hundreds of missiles drones,successfully neutralizing most Incoming threats .

My flight on 28th Feb to mumbai  got cancelled  ,as same day war started..

I could hear the noisy sky of missiles over Dubai sky , it was so scary .

Many people have heard over last two days those were real explosions and loud booms .

World needs World peace .

We are Born for peace ,love n Happiness  .

Very Thankful  to Dubai Government for supporting  us n protecting us ,

UAE  defense official  says hundreds  of missiles and drones have been launched towards the UAE and most  have been successfully intercepted by Air Defences .

By God’s  grace people  in Dubai are safe and

Burj Khalifa ,Pride of Dubai is safe.

Lets stand together  for World  Peace   and be Peace Loving .

World needs World peace.

Angel Tetarbe

 

We Are Safe In Dubai, World Needs World  Peace – Angel Tetarbe  International Peace Ambassador

“Honeymoonay Namah” Is A Wonderful Film Shot In The Beautiful Valleys Of Uttarakhand: Actor-Musician Akshay Bafila...

“Honeymoonay Namah,” a wonderful film shot in the beautiful valleys of Uttarakhand, is produced under the banner of Shivakshya Entertainment in association with Navankur Films. The film is produced by Akshay Bafila and Akshay Desai, and directed by Nishant Bhardwaj. The film is co-produced by Dhruv Rathod, Bhaskar Pethshali, and Hemlata Bhardwaj. The film’s cast also hails from Uttarakhand, Notable names include Akshay Bafila, Sonam Thakur, Hemlata Bhardwaj, Nishant Bhardwaj, Meenakshi, Deepak Gupta, Kamal Kishore Tiwari, D.S. Sijwali (Sonu), Alok Verma, Rajan Puri, Mohit Sharma, Jeet Jangid, Rajendra Goswami, Lalit Pant, Aman Singh Rathore, Shyam Sundar Sharma, Deepak Tiruva, Kinshuk Pandey, Anjali Pareekh, Anuj Kumar, Mohit Tiwari, Bhaskar Pethshali, Jaswant Bafila, Indrajit Bafila, Heena Bafila, Arvind Bhatnagar, Amarnath Singh Negi, Naresh Bisht, Pankat Karki, Geeta Bisht, Chandraprakash Tatrari, Kailash Chanyal, and Vinod Kumar. The screenplay and dialogues were written by Nishant Bhardwaj, with music and background score by Akshay Bafila. The film’s lyricists are Sanjay Kabeer and Deepak Tiruwa. ​​The film features several lovely songs that advance the story, including a folk song from Uttarakhand. Here’s an interview with Akshay Bafila, the producer, lead actor, and music director of Honeymoonay Namah.”

Question: Akshay, congratulations on “Honeymoonay Namah”! What inspired you to take on this unique project?

Answer: Thank you! We’re so happy to finally be sharing our film with audiences. You know, we’ve seen many films that tackle serious issues, but we wanted to do something different. We wanted to make people laugh while also highlighting some of the strange aspects of our society.

Question: This film is a satire that uses humor to comment on social issues. What was your approach to balancing comedy and social commentary?

Answer: We didn’t want to preach. We simply wanted to tell a story that was relatable and entertaining. The comedy comes naturally from the characters and situations, and we hope it will make people think.

Question: Tell us about the story of “Honeymoonay Namah.” What attracted you to this particular story?

Answer: The story is simple yet interesting. It’s about a boy who gets caught in the web of misunderstandings and societal pressures surrounding a tradition that doesn’t exist. We loved the idea of ​​how quickly things can escalate, and the humor that follows is so good.

Question: How was working with the rest of the cast?

Answer: It was a dream team! Everyone brought their best to the table, and we had a great time on set. The cast was very supportive, and we got along very well.

Question: Music plays a crucial role in the film. Who inspired your score, and can you tell us about its standout tracks?

Answer: I’m proud of the music we created. We incorporated traditional Uttarakhandi elements and mixed them with a modern flavor. The songs are an important part of the story, and I’m glad you mentioned it – we included a beautiful folk song from Uttarakhand. The film features songs from four different genres.

Question: Do you hope audiences will learn something from “Honeymoonay Namah”?

Answer: Look, we just want people to have a good time and perhaps reflect on some of the strange things in our society. If they leave the theater smiling and with a thought or two, we’ll consider it a success!

Question: How proud was it for you that the film “Honeymoonay Namah” received numerous national and international awards?

Answer: “Honeymoonay Namah” is satirical cinema that attempts to expose the political opportunism prevalent in society through humor. The story of the film revolves around Mona, the son of a farmer from Uttarakhand, whose role I play. We are proud that the film has received many prestigious awards.

Question: When composing music, do you first come up with the lyrics?

Answer: Yes, I try to give the lyricist the freedom to write and then create the tune. However, nowadays, the tune is prepared first, followed by the lyrics. However, it’s better to write the lyrics first, then the music. The songs for this film have been beautifully written by Sanjay Kabeer and Deepak Tiruwa.

Question: How did you decide to become a producer?

Answer: I became a producer considering this to be my own film and to complete it. It was during the lockdown and the shooting was taking place in Uttarakhand, so it was my moral responsibility to contribute to its production.

“Honeymoonay Namah” Is A Wonderful Film Shot In The Beautiful Valleys Of Uttarakhand: Actor-Musician Akshay Bafila

Dr. Sanjay Kumar Honoured With Bharat Gaurav Samman For Outstanding Contribution To Sports And Society...

New Delhi: Renowned sports mentor and social reformer Dr. Sanjay Kumar has been conferred with the prestigious Bharat Gaurav Samman in recognition of his exceptional contribution to sports, youth development, and social upliftment. The award was bestowed upon him after observing his lifelong dedication and impactful work in transforming the lives of underprivileged children through sports.

Rising from extreme poverty, Dr. Kumar devoted nearly three decades to coaching and mentoring young athletes across multiple disciplines including volleyball, kabaddi, athletics, baseball, mallakhamb, ball badminton, and indigenous games. He has trained more than 5,000 children, produced 500–600 national-level players, and guided over 2,000 athletes to national tournaments.

Beyond sports training, Dr. Kumar has played a vital role in rehabilitating drug-affected youth, empowering girls, and promoting inclusive sports for differently-abled athletes. His initiatives such as low-cost nutrition support for poor players and free coaching for marginalized children highlight his deep social commitment.

Looking at the magnitude and impact of his work, he was honoured with the Bharat Gaurav Samman. The recognition stands as a tribute to his relentless service, discipline, and belief that no child should lose their future due to poverty or lack of opportunity.

Dr. Sanjay Kumar Honoured With Bharat Gaurav Samman For Outstanding Contribution To Sports And Society

शिल्पी राज, माही श्रीवास्तव और विजय चौहान का देसी लोकगीत ‘मछरिया मारे चलले’ वर्ल्डवाइड रिकॉर्ड्स ने किया रिलीज...

भोजपुरी लोकगीतों की आत्मा गॉंव की खाँटी मिट्टी और संस्कृति में बसी होती है। इसी बात पर ध्यान खींचने के लिए देसी लोकगीत ‘मछरिया मारे चलले’ का निर्माण फिल्म निर्माता रत्नाकर कुमार ने किया है। इसके वीडियो में पारंपरिक पहनावे और गाँव के लोकेशन दिखाया गया है। बता दें कि भोजपुरी संगीत जगत में अपनी गायकी से करोड़ों दिलों पर राज करने वाली ट्रेंडिंग सिंगर शिल्पी राज और अपनी अदाओं से बिजली गिराने वाली अभिनेत्री माही श्रीवास्तव की जोड़ी एक बार फिर दर्शकों के बीच तहलका मचाने आ गई है। देसी अंदाज और मिट्टी की खुशबू को समेटे यह देसी गाना दर्शकों के मन को लुभाने वाला है और शहर में रहने वाले लोगों को गांव की ओर खींचने वाला है। यह गाना देसी अंदाज में फिल्माया गया है, जोकि देखते ही बन रहा है। यह देसी लोकगीत ‘मछरिया मारे चलले’ वर्ल्डवाइड रिकॉर्ड्स भोजपुरी के ऑफिसियल यूट्यूब चैनल पर रिलीज कर दिया गया है। यह गाना रिलीज होते ही सोशल मीडिया पर खूब धूम मचा रहा है और फैंस इसे खूब पसंद कर रहे हैं।

गौरतलब है कि इस लोकगीत में एक्ट्रेस माही श्रीवास्तव का जादू खूब चल रहा है। इसके वीडियो में एक्ट्रेस माही श्रीवास्तव ने एक बार फिर साबित कर दिया है कि वह देसी लुक में किसी भी महफिल को लूटने का दम रखती हैं। उन्होंने पारंपरिक भोजपुरी परिधान पहना है और उनके एक्सप्रेशंस गाने की जान हैं। माही की सादगी और उनके नृत्य कौशल ने इस लोकगीत को विजुअली बेहद आकर्षक बना दिया है।

इस गाने के बोल पूरी तरह से ग्रामीण परिवेश पर लिखे गए हैं। इसमें माही श्रीवास्तव अपने पति के प्रति व्यक्त करते और पति का बखान करते हुए कहती है कि…

लुगिंयाँ के चेट मारी बाँहिं के पगरिया, बाँहिं के पगरिया, अरे मछरिया मारे चलले, हमरो संवरिया मछरिया मारे चलले…’

वर्ल्डवाइड रिकॉर्ड्स प्रस्तुत देसी लोकगीत ‘मछरिया मारे चलले’ के निर्माता रत्नाकर कुमार हैं। इस गीत को सिंगर शिल्पी राज ने गाया है। इसके वीडियो में एक्ट्रेस माही श्रीवास्तव ने देसी लुक में बिजली गिराकर महफ़िल लूट लिया है। इस गाने को गीतकार विजय चौहान ने लिखा है, जबकि संगीतकार छोटू रावत ने मधुर संगीत दिया है। वीडियो डायरेक्टर सुनील बाबा, डीओपी रंजन, कोरियोग्राफर एमके गुप्ता जॉय, एडिटर आलोक गुप्ता हैं। डीआई रोहित सिंह, प्रोडक्शन पंकज सोनी ने किया है। इस गाने का ऑल राइट वर्ल्डवाइड रिकॉर्ड्स के पास है।

इस गीत को लेकर रत्नाकर कुमार ने कहा कि ‘शिल्पी राज की आवाज में वो मिट्टी की सोंधी खुशबू है जो सीधे दिल को छूती है। बात करें एक्ट्रेस  माही श्रीवास्तव की तो वो देसी लुक और एक्सप्रेशंस इस गाने में जान फूँक दिया है। इस गाने से माध्यम से गांव से दूर शहर में रह रहे लोगों को उनके गांव से जोड़ने का हमने एक प्रयास किया है।’

वहीं शिल्पी राज ने कहा कि ‘वर्ल्डवाइड रिकॉर्ड्स म्यूजिक कंपनी के एमडी रत्नाकर कुमार हमेशा क्वालिटी और अच्छे कंटेंट वाले गाने लाते हैं। यह गाना को गाकर मुझे दिल से बहुत अच्छा लगा है।’

इस गाने को लेकर माही श्रीवास्तव ने कहा कि ‘इस सांग में सिंगर शिल्पी राज की खनकती आवाज ने गाने में ऊर्जा भर दी है। देसी लुक में और गांव में शूटिंग करके मुझे बहुत अच्छा लगा था। यह गाना दिल को सुकून देने वाला है।’

रत्नाकर कुमार, शिल्पी राज, माही श्रीवास्तव और विजय चौहान का देसी लोकगीत ‘मछरिया मारे चलले’ वर्ल्डवाइड रिकॉर्ड्स ने किया रिलीज

“ATHAHA” Beyond The Boundaries Solo Show Of Paintings By Well-Known Artist Alka Bhrushundi At Jehangir Art Gallery...

“From: 3rd to 9th March 2026

“ATHAHA”

Beyond the Boundaries

Solo Show of Paintings by well-known artist Alka Bhrushundi

VENUE:

Jehangir Art Gallery

AC Gallery -1,

161-B, M. G. Road, Kala Ghoda,

Mumbai 400001

Timing: 11am to 7pm.

Contact: +91 7703880130

Alka Bhrushundi’s ‘Athaha’ does not merely contemplate infinity; it constructs it.

In her works, blue is not a backdrop to devotion but a spatial field in which matter, energy, and consciousness appear suspended. The paintings move between vortex and void, between cellular intricacy and cosmic scale. Spirals open like primordial galaxies. Orb-like forms hover as if embryonic worlds. Vein-like calligraphic tracings pulse across surfaces, suggesting neural networks, river deltas, or unseen cosmological diagrams. The language is abstract, yet unmistakably organic.

The artist’s earlier engagement with devotional figuration has not disappeared; it has evolved. What once required an image now unfolds as vibration. The divine is no longer personified but diffused, circulating through colour, texture, and atmosphere. Blue dominates, but it is not singular. It deepens into indigo, fractures with rusted orange, glows with quiet gold. It carries both immersion and combustion.

There is a compelling tension in these works: density and lightness coexist. Feathers drift across turbulent grounds. Gold fissures cut through planetary masses. Mist veils intricate structures beneath. The compositions feel simultaneously microcosmic and macrocosmic; as if we are witnessing the inside of a cell and the birth of a universe in the same breath.

‘Athaha’ proposes infinity not as escape, but as interior expansion. These paintings ask the viewer to recalibrate scale, to consider that vastness may reside within the smallest pulse of awareness. In an era of distraction and speed, this work insists on sustained looking. It resists narration and instead offers immersion.

Infinity here is not decorative mysticism. It is a disciplined exploration of energy, stillness, and threshold. Stand before these works long enough, and the boundary between outer cosmos and inner landscape begins to thin.

This show was inaugurated on 3rd March 2026 by Honourable Guests Shri Rajendra Patil (President -The Bombay Art Society, Founder – India Art Festival), Prof. Dr. Ganesh Tartare(Sir, J.J. School of Art, Mumbai), Shri Rishiraj Sethi (CA, CFA; Director – Aura Art eConnect Pvt.Ltd), Prof. Him Chatterjee( Vice chancellor,  J. J. School of Art, Architecture & Design) Shri Vijayraj Bodhankar(Renowned Artist) among others.

 

“ATHAHA” Beyond The Boundaries Solo Show Of Paintings By Well-Known Artist Alka Bhrushundi At Jehangir Art Gallery

Between Surface And Depth: The Inner Landscapes An Exhibition By Bharti Verma And Ruchi Chadha...

The art exhibition Between Surface and Depth: The Inner Landscapes by Bharti Verma and Ruchi Chadha opened on 3rd March at Jehangir Art Gallery, Gallery No. 2, Kala Ghoda, Mumbai, marking a thoughtful beginning to a week-long showcase of contemporary artistic expression. The exhibition will remain on view until 9th March, inviting visitors to engage with works that explore the subtle terrain between external form and inner experience.

The inauguration ceremony was attended by distinguished members of the art and academic community, lending the event a sense of significance and encouragement. The exhibition was formally inaugurated by Rajendra Patil, President and Founder of the India Art Festival, along with Rishiraj Sethi, Director of Aura Arts. Their presence underscored the continuing dialogue between artists, curators, and platforms that support contemporary art practices.

The event was further graced by the presence of noted academicians including **Ganesh Tartare, Professor at the Sir J. J. School of Art, and **Him Chatterjee, Vice Chancellor of J.J. School of Art Architecture and Design. Their participation reflected the close relationship between artistic practice and academic discourse, particularly in a city like Mumbai where both traditions continue to shape the contemporary art landscape.

The opening evening brought together artists, students, collectors, and art enthusiasts, creating an atmosphere of engagement and dialogue. Visitors moved through the gallery spaces encountering works that explore inner landscapes through distinct yet complementary visual languages. While Bharti Verma’s practice engages with the human form and emotional interiority, Ruchi Chadha’s works draw upon the symbolic resonance of the lotus, reflecting themes of resilience, emergence, and quiet transformation.

Together, the exhibition creates a contemplative space where figuration and symbolism intersect, encouraging viewers to pause and reflect on the layers that lie beneath the visible surface of experience. Between Surface and Depth thus unfolds as both a visual and introspective journey within the walls of one of Mumbai’s most significant cultural venues.

Between Surface And Depth: The Inner Landscapes An Exhibition By Bharti Verma And Ruchi Chadha